Drawing 1 has been quite a journey for me and I have enjoyed every part of it.
Even from my early beginnings in painting at the age of 14 years old I was interested in movement and people, cultures and history – something that was with me during this end part of Drawing 1.
For this part of the course I knew that the Urban Landscape would be a challenge for many different reasons:
- I would have to sketch outside
- The outside environment – particularly in the City – in Chile can be dangerous with beggars, drunks and thieves ever-present
- I wanted to find or at least start to find a voice
- I wanted to draw in a series
- I wanted to capture the spirit and movement of the chosen places
Among the subjects chosen for this series were the cemetary, the marketplace, the main avenue, the bus terminal and the main square.
Along the journey I also explored ideas from John Virtue, David Bomberg, Frank Auerbach, Dennis Creffield – however my greatest inspiration for these works were from Leon Kossoff’s drawings and paintings of London Landscapes.
In particular I was intrigued by his Arnold Circus drawings from 2012. They are like a documentary of the lives and people who use this area daily to walk their dogs, take their children to school, pass by on their way to work, feed the pigeons, rest, sleep off too much drink? – also there is a record of blustery days, calm days, trees with and without leaves, traffic and bicycles – Kossoff must have produced a huge amount of drawings throughout the year to record such a range of work. Something that was not possible for me over the course of just two months working on this project.
His use of charcoal over soft pastel was interesting as was his use of broken – fast drawn (possibly blind) line work.
My final works for this assignment are a selection of what I believe to be the most successful drawings taken from Part 5.
I dismissed my Cemetary drawing as not being strong enough and for not using sufficent depth of tone/interest. I also completed several studies in graphite, and on mylar but in the end I was more attracted to the use of charcoal upon a tonal background of soft pastel.
In all of Leon Kossoff’s Arnold Circus drawings he used a portrait format, however because of the wide open spaces in my city I chose a wide angle landscape format – nearly the same size (approx. 60x30cm).
My first successful drawing was the result of several visits to the same site within the Main Avenue. Within some of my sketches of this area there were elements of blind drawing – which I feel Kossoff included in his work.
The main avenue was drawn around midday in what is now our autumn – with the sun quite low. With the tall trees there is a great deal of shade – like Arnold Circus with surrounding buildings (and low cloud) dulling the light.
The next drawing of the main square was drawn in the morning with the sun rising to left of the view. The pink building and centre of the square were in full sun with the trees giving some quite heavy contrasting shade.
Whilst there are several inaccuracies in perspective and scale, the atmosphere, colour and light are a good representation of the scene. I also felt that I had shaken off some of the influence from Kossoff and dared to use my own voice in this work.
As in my drawing above there are some strong diagonals and enough foreground interest to keep the viewer’s eye moving around the drawing.
My final selection for this assignment was from my studies of the main bus terminal – this drawing was from a sketch and photo taken around midday with bright sunshine on the building and vehicles. This was reflected in my use of lighter overall tones and some harsh dark shadows.