Project 3 – At home (Research Point)
Find contemporary artists who focus on domestic interiors and analyse their choice of content, medium, format, etc. Consider how their work reflects its context in terms of era, fashion, mood, current issues, and so on.
Edouard Vuillard (1868-1940)
This is an artist I wish to study more – I love his complex, tranquil, intimate interiors.
Edouard Vuillard drew and painted many interiors during the course of his career. Many of his drawings include a window – almost certainly for the effect created by strong sunlight entering the room as in the pastel drawing (above) – As well as a single or indeed multiple light source for the interior. I deeply admire his interior painting of people reading, taking breakfast (not a mobile phone or even a TV in sight!) – as in the oil painting below:
In each of the rooms we are allowed to share in all of the intimate details of his home and his mother looking out of the window, eating breakfast etc.
In the painting of his mother taking breakfast, the busy table is balanced by the very decorative wallpaper, the open door/dresser and the wallpaper are counterbalanced spaces. The artist has used a limited palette to mantain harmony which has resulted in a very tranquil, quiet space. The subject is looking down at the table aparrently unaware of the viewer. A wonderful painting.
John Bratby (1905-1992)
These contemporary paintings by the British painter, John Bratby are busy and full of life – crowded spaces with recognisable items such as a woodburner, open fireplace, childs highchair and floral curtains. These rooms are on display with the viewer given a ‘circle’ seat from which to view the scene. The viewer is invited to see very nearly the whole room with all its clutter – the upper image displays living room, dining table, bed and what looks like a cooker in the background, whilst the lower painting shows us just the kitchen/diner with a person playing monopoly in the nude (was it a very hot day?)
Both paintings have used many triangles in the composition, along with strategically placed chairs.
Alberto Giacometti (1909-1966)
During the course of my studies so far, I have joined many other students wondering what defines a painting and what defines a drawing – Giacometti has very much blurred the answers to that question.
I will explore and investigate further Giacometti`s work in the next part of the course and in Part 4.
Studying the two images above it is interesting to note that in the LH drawing Giacometti uses darker lines in the foreground and lighter lines in the background to create depth, also the diagonal emphrasis of the table and other object to the front RHS draws the viewer into the picture, whilst in the RH painting darker tones are used to represent background areas with lighter areas in the foreground. Again there are diagonals in the placing of the stools and door frame/table legs.