After weeks without rain, I planned a day of sketching outside for Part 3 for today…..BUT it began to rain in the morning and is still raining!
After checking social media and other trivia, I sketched the window and doodled for a while…
Then I watched some very interesting videos on YouTube of the artist/sculptor Kiki Smith from the USA. She is a compulsive artist who follows the path of her work and lets it flow without really setting any objectives first. I say compulsive because watching and listening to her she works from home – her living space is also where she finds inspiration, a peaceful space to work and be creative. She works in whatever medium suits her work – sculpture, photography, drawing, printing, fabrics, glass among many other mediums.
Checkout Tate Shots on Kiki Smith:
and Kiki Smith – Path:
This is an incredible example of letting your imagination and work leading you down a particular creative path. Her exhibition Path made me realise that there are no boundaries between drawing, textiles, sculpture, printing etc – the limit is you if you let it!
Then I read ‘The value of dreaming’ blog by Neal Musson on the OCA Student Blog and I felt that they were related in that he makes up a word – a creative space …. “dreamspace; The return to fabric and the things I haven’t made’.…… ‘To allow the creative mind to wander ambitiously without boundaries’….”
Not a bad morning exploring, drawing, listening and thinking whilst the rain continues to fall outside.
Living in Chile – so far away from the UK it is impossible for me to attend study days/student visits to galleries organised by the OCA. So I need to invent other ways to fill in this gap in my studies. I have been visiting galleries both in Chile and outside of Chile during my travels this year: Bolivia and Germany. Other trips this year include Colombia and Mexico.
This morning on YouTube I came across the work of Agnes Martin – an abstract expressionist who was lucky enough to reach the age of 92 – painting right up until the end.
I always thought that in expressing ones inner feelings in a painting was about making fast energetic, maybe furious marks – as in De Kooning or Pollock. In the work of Rothko he wanted the viewer to feel the emotions of his paintings and even cry in front of them.
The paintings of Agnes Martin however are quiet peaceful paintings with muted pastel colours (except for a series in black) – living a solatory reclusive life (not even reading a newspaper during the last 50 years of her life – to avoid distracting her thoughts/feelings) she poured her emotions into her works.
I personally cannot see the emotions within these paintings – they are silent, peaceful yes, but also cold and calculated. I need to find a gallery with the works to witness first hand if I would react differently to them. Martin very carefully calculated the division of the lines and would immediately destroy any paintings that did not meet her rigourously standards – this for me is cold and religiously extreme. If you looked up close the lines and marks were imperfect – this was deliberate and part of her technique.
I am intrigued by her work and wish to imitate her on perhaps a smaller scale at present and on paper.
References (From YouTube):
Tate shots – Agnes Martin
Agnes Martin Artist – video by Jennifer Kiley
Agnes Modern at the Tate Modern on The Art Channel
Moma – How to paint like Agnes Martin / IN THE STUDIO with Covey D’Augustine